求英文好的翻译一下 读不通的就不要发给我了 翻译的流畅一点 不要网上翻的复制谢谢了Peat-malted barley from Scotland is fermented into a “wash” at a local micro-brewery. Using the unfinished wash allows Clear Creek to get all the flavor and ch_百度作业帮
求英文好的翻译一下 读不通的就不要发给我了 翻译的流畅一点 不要网上翻的复制谢谢了Peat-malted barley from Scotland is fermented into a “wash” at a local micro-brewery. Using the unfinished wash allows Clear Creek to get all the flavor and ch
Peat-malted barley from Scotland is fermented into a “wash” at a local micro-brewery. Using the unfinished wash allows Clear Creek to get all the flavor and character of the malt when they distill.
Clear Creek uses Holstein pot stills and one pass distillation, then barrel-ages the distillate in Limousin oak and air dried Oregon Oak barrels. The result is remarkably smooth for a 3-year-old, and peaty with a surprisingly clean finish.
苏格兰泥炭大麦麦芽在当地的一个微型啤酒厂被发酵成“洗”.方法是：使用清澈的小溪从所有的风味与麦芽中提取营养元素.其中清澈的小溪采用罐馏器蒸馏头 然后在利穆赞橡木桶的压力和干燥的空气下蒸馏.结果这样的产品非常光滑,可以使用3年,而泥炭却很干净.求专业人员帮我翻译成英文&br/&我是喜欢你的，但是我急缺安全感，我爱胡思乱想，我喜欢闹别扭，我脾气不好。其实你和我原本喜欢的人没有一点符合，可你身上有很多性格我接受不了，所以有时候和你相处我会很难受。谢谢你喜欢过我，谢谢我们在一起的半年时光。喜欢并不代表合适，合适并不是可以在一起。最后
求专业人员帮我翻译成英文我是喜欢你的，但是我急缺安全感，我爱胡思乱想，我喜欢闹别扭，我脾气不好。其实你和我原本喜欢的人没有一点符合，可你身上有很多性格我接受不了，所以有时候和你相处我会很难受。谢谢你喜欢过我，谢谢我们在一起的半年时光。喜欢并不代表合适，合适并不是可以在一起。最后 50
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I love you, but I am lack of sense of security, I love to entertain foolish ideas, I like sulky, I has a bad temper. In fact you and I like of the person originally nothing, but I can&t accept you have a lot of character, so sometimes I will be very uncom
I love you, but I am lack of sense of security, I love to entertain foolish ideas, I like sulky, I has a bad temper. In fact you and I like of the person originally nothing, but I can&t accept you have a lot of character, so sometimes I will be very unco
找网上的英汉互译就好了
那些都是直译
总结楼主这么长的题目。我觉得中心思想是fuck
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外国文学领域专家求英语大神帮忙翻译一下大英博物馆的简介...流利一点通顺一点就好，我翻译的看起来好奇怪...谢谢！_百度宝宝知道求翻译 好心人帮忙翻译一下 人工翻译啦 不要是网上翻译器的那种 谢谢啊_百度知道
求翻译 好心人帮忙翻译一下 人工翻译啦 不要是网上翻译器的那种 谢谢啊
named after her third husband and collaborator, Andreas Kronthaler. That McAndreas is displayed at Lochcarron Museum of Tartan in Scotland alongside time-honored traditional tartans is a very significant accolade to be bestowed on a contemporary designerWestwood was also inspired by 18th century paintings. Always On Camera (1992-3) contained the Gainsborough Blouse which mimicked the delicate brushstrokes of the 18th century British portraitist’s work, ceramics and literature and spent time studying the paintings of the Wallace Collection and the Victoria & Albert Museum’s archive in London, MacAndreas. Westwood created her own clan (the traditional extended family and social unit of Scottish society) and tartan (the woven wool check identified with that unit), Westwood used a photographic print of Francois Boucher’s Shepherd Watching a Sleeping Shepherdess on corsets and shawls. Her considered reinterpretation of tradition came through again in Anglomania (1993-94). In Portrait (1990-1)
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韦斯特伍德使用照相方法复制了弗朗索瓦布歇的身着紧身衣和披肩的“牧羊人注视牧羊女”.她认为对传统的重新解释贯穿在“Anglomania（1993-94）”中。Always On Camera (1992-3) contained the Gainsborough Blouse which mimicked the delicate brushstrokes of the 18th century British portraitist’s work。In Portrait (1990-1);勃劳社摹拟18世纪英国肖像画家作品的细腻笔触. 韦斯特伍德也受到了18世纪的绘画。Westwood created her own clan (the traditional extended family and social unit of Scottish society) and tartan (the woven wool check identified with that unit)Westwood was also inspired by 18th century paintings。Her considered reinterpretation of tradition came through again in Anglomania (1993-94), MacAndreas，以她的第三任丈夫兼合伙人（Andreas Kronthaler）的名字MacAndreas来命名.“与镜头同在（1992-3）”载有盖恩斯伯勒&#8226,
Andreas Kronthaler，她花时间研究华莱士收藏馆的画作和伦敦的维多利亚和阿尔伯特博物馆的存档、创作了格子呢（因该部落而著名的毛线编织的羊毛格布匹）.在“肖像（1990-1）”里.McAndreas正在苏格兰的Lochcarron格子呢博物馆与那些久享盛名的传统格子一道展出, named after her third husband and collaborator, ceramics and literature and spent time studying the paintings of the Wallace Collection and the Victoria & Albert Museum’s archive in London。That McAndreas is displayed at Lochcarron Museum of Tartan in Scotland alongside time-honored traditional tartans is a very significant accolade to be bestowed on a contemporary designer、陶瓷和文学的启发, Westwood used a photographic print of Francois Boucher’s Shepherd Watching a Sleeping Shepherdess on corsets and shawls.韦斯特伍德创建了自己的部落（“苏格兰社会之传统大家庭与社会单元”），体现出对一位当代设计师的推崇备至
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韦斯特伍德创建自己的氏族（苏格兰社会传统大家庭和社会单位）和格子呢（毛线编织检查确定该单位），韦斯特伍德使用照相打印的弗朗索瓦布歇的牧羊人观看紧身衣和披肩上睡牧羊女，安德烈亚斯Kronthaler韦斯特伍德是18世纪的绘画。 McAndreas显示旁边悠久的传统格子呢Lochcarron在苏格兰格子呢博物馆是一个非常显著的赞誉，MacAndreas，陶瓷和文学的启发，被赋予当代设计师。总是在镜头（1992-3）中所载的盖恩斯伯勒衬衫模仿18世纪英国肖像画家的工作细腻的笔触，她的第三任丈夫和合作者的名字命名，花时间研究华莱士收藏馆和伦敦的维多利亚和阿尔伯特博物馆的存档的画作。在纵向（1990-1），后。她认为传统的重新解释了通过再次Anglomania（1993-94）
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的界线一样,逾越了道德的界线必然受到法律的惩处,负激励也是如此,企业一般都设有日常的行为准则、管理制度等，超出了这个准则，制度必然受到一定的制裁。当然，负激励的措施和手段大部分存在于企业的相应管理制度中。负激励作为一条&止步线&，也许作为一名企业员工很少注意到，实际上却起到控制员工行为不可或缺的作用，在日常的潜移默化中，员工自觉或不自觉地已经接受了这种负激励制度的约束，无形之中给企业的管理行为带来一中持续良性循环效应。比如，在制度中规定&上班迟到一次扣薪100元&，所有的员工都知道不能迟到，否则会被处罚，正常情况下，员工自然而然地养成了按时上班的习惯，管理者其实只应用了一条负激励的约束机制，就管住了整个企业的劳动纪律，可见，这条隐性&止步线&多么重要。
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