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Modern Mixolydian scale on C   .
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based
or , related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.)
This mode is known as
in , the classical music form of southern India.[]
Diatonic genus of the Greek Mixolydian scale on B   .
Chromatic genus of the Greek Mixolydian scale on E: conjunct tetrachords a and b, with note of conjunction c, and interval of disjunction d   
Enharmonic genus of the Greek Mixolydian scale on E: conjunct tetrachords a and b, with note of conjunction c, and interval of disjunction d   
The idea of a Mixolydian mode comes from the music theory of . The ancient Greek Mixolydian mode was invented by , the 7th century B.C. poet and musician. However, what the ancient Greeks thought of as Mixolydian was very different from the modern interpretation of the mode.
In Greek theory, the Mixolydian tonos (the term "mode" is a later Latin term) employs a scale (or "") corresponding to the Greek
inverted: in its , this is a scale descending from paramese to hypate hypaton: in the diatonic genus, a
(paramese to mese) followed by two conjunct inverted
(each being two whole tones followed by a
descending). This diatonic genus of the scale is roughly the equivalent of playing all the "white notes" of a piano from B to B, or B | A G F E | (E) D C B, which is also known as modern . (In the
genera, each tetrachord consists of a minor third plus two semitones, and a major third plus two quarter-tones, respectively).
The term Mixolydian was originally used to designate one of the traditional harmoniai of Greek theory. It was appropriated later (along with six other names) by 2nd-century theorist
to designate his seven tonoi or . Four centuries later,
interpreted Ptolemy in Latin, still with the meaning of transposition keys, not scales. When chant theory was first being formulated in the 9th century, these seven names plus an eighth, Hypermixolydian (later changed to Hypomixolydian), were again re-appropriated in the anonymous treatise Alia Musica. A commentary on that treatise, called the Nova expositio, first gave it a new sense as one of a set of eight diatonic , or scales. The name Mixolydian came to be applied to one of the eight modes of medieval church music: the seventh mode. This mode does not run from B to B on white notes, as the Greek mode, but was defined in two ways: as the diatonic octave species from G up one octave to the G above, or as a mode whose final was G and whose
runs from the F below the final to the G above, with possible extensions "by licence" up to A above and even down to E below, and in which the note D (the tenor of the corresponding seventh psalm tone) had an important melodic function. This medieval theoretical construction led to the modern use of the term for the natural scale from G to G.
The seventh mode of western church music is an
based on and encompassing the natural scale from G to G, with the
(the D in a G to G scale) as the dominant,
eighth mode was termed Hypomixolydian (or "lower Mixolydian") and, like the Mixolydian, was defined in two ways: as the diatonic octave species from D to the D an octave higher, divided at the mode final, G (thus D–E–F–G + G–A–B–C–D); or as a mode with a final of G and an ambitus from C below the final to E above it, in which the note C (the tenor of the corresponding eighth psalm tone) had an important melodic function.
Modern Mixolydian scale on G   .
This modern scale has the same series of
as the , except the seventh degree is a
lower. The Mixolydian mode is sometimes called the dominant scale, because it is the mode built on the fifth degree (the ) of the major scale. The
of the scale is a tritone away from the
( degree) of the .
It is common in non-classical harmony, such as , ,
The order of tones and semitones in a Mixolydian scale is TTSTTST (T = ; S = ), while the major scale is TTSTTTS. The
varies accordingly (it will be the same as that of the major key a fifth below).
Some examples:
Wikimedia Commons has media related to .
The G Mixolydian mode (related to the key of C
it is all the white keys from one G to the next: GABCDEFG)
The C Mixolydian mode (related to the key of F
– CDEFGAB?C)
The D Mixolydian mode (related to the key of G
– DEF?GABCD)
The E Mixolydian mode (related to the key of A
– EF?G?ABC?DE)
The A Mixolydian mode (related to the key of D
– ABC?DEF?GA), the scale used on the . This scale applies to the bagpipes in name only. The tonic note of bagpipes, A, is currently pitched in between B? and B without special adaptation of the instrument.[]
Moloch scale on C.   .
Moloch scale is the name used by
musicians for the Mixolydian scale, to which it is identical. In Klezmer, it is usually transposed to C, where the main chords used are C, F, and G7 (sometimes Gm).
"" – A traditional
"Fughetta super: Dies sind die heilgen zehn Gebot" in G Major BWV 679 by
in A Minor, third movement, by
"" by [] (B ? Mixolydian)
"" (solo is in E? ) by
(with some verses in )
's "" (with blues flavoring)
("outro" section only)
"" by , modal in A Mixolydian
"Morning Mr Magpie" by
, the equivalent scale in .
, a common
when spelled as I - ?VII - IV[]
Arnie Berle, "", in Mel Bay's Encyclopedia of Scales, Modes and Melodic Patterns: A Unique Approach to Developing Ear, Mind and Finger Coordination (Pacific, Missouri: , 1997): p. 33.
(ed.), If Not, Winter: Fragments of Sappho (New York: Vintage Books, 2002), p. ix. . Carson cites , On Music 16.113c, who in turn names
as his authority.
Thomas J. Mathiesen, "Greece", The New Grove Dictionary of Music and Musicians, second edition, 29 vols., edited by
and , 10:[] (: , 2001), 10:339.
, "Dorian", The New Grove Dictionary of Music and Musicians, second edition, edited by
(London: Macmillan Publishers, 2001).
and Frans Wiering, "Mixolydian", The New Grove Dictionary of Music and Musicians, second edition, 29 vols., edited by
and , 16:766–67 (: , 2001), 767. .
and Frans Wiering, "Hypomixolydian", The New Grove Dictionary of Music and Musicians, second edition, 29 vols., edited by
and , 12:38 (: , 2001) .
Dan Haerle, Scales for Jazz Improvisation (Hialeah: Columbia Pictures P Lebanon, Indiana: Studio P/R; Miami: Warner Bros, 1983), p. 15. .
Ewan MacPherson. . The University of Western Ontario 2015.
Dick Weissman and Dan Fox, A Guide to Non-Jazz Improvisation: Guitar Edition (Pacific, Missouri: Mel Bay Publications, 2009): p. 130. .
Wendy Anthony, "", Mandolin Sessions webzine (February 2007) |(Accessed 2 February 2010).
Ted Eschliman, "", Mandolin Sessions webzine (November 2009) (Accessed 2 February 2010).
. Developing Singing Matters. (: . p. .  .  .[]
. Harmony (New York: W. W. Norton & Company, Inc., 1941): pp. 29–30.
. Harmony (New York: W. W. Norton & Company, Inc., 1941): pp. 29–30.
Angus, Young,. . <.
Jack Morer, Rolling Stones: "Exile on Main Street" (Milwaukee: , 1995): p. 100.
"", Joe Hartley's generic homepage.
Rooksby, Rikky (2001). Inside Classic Rock Tracks, p.86. .
Ed Friedlander, "" (Accessed 6 October 2011).
Dan Bennett, "The Mixolydian Mode", in
(Van Nuys and Los Angeles: , 2008): p. 90.
Kenneth Womack and Todd F. Davis, Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four (Albany: State University of New York Press, 2006): p. 45.
Ken Stephenson, What to Listen for in Rock: A Stylistic Analysis (New Haven and London: Yale University Press, 2002), p.39. .
Albin Zak III. . (New York: Schirmer B London: Prentice Hall International, 2010). p. 333.  .
Lloyd Whitesell (2008). The Music of Joni Mitchell. Oxford University Press. p. 119.  .
Stefani Germanotta. "Digital Sheet Music – Lady Gaga – You and I". , 2011 ().
Nate Comp (2009). . The Moods of the Modes. Fretlight. Archived from
on 4 September .
. Pop Music Theory.
Hewitt, Michael. Musical Scales of the World. The Note Tree. 2013. .
. The Guitarist's Online Survival Kit 2008.
. www. 2009.
: Hidden categories:c mode - 必应 词典网络模式；中置模式；C模式1.模式我没有D80,但有过D70s,D70s内闪可以使用&指令模式(c mode),但只能摇控一组一频道.D80的内闪选单应该和D200一样,D200可以摇控3组…|2.中置模式日本BIK株式会社中国事务所 ... Max Music Volume 最大音乐音量限制 C Mode 中置模式 C Volume 中置音量 ... |3.C模式学习GNU Emacs命令速查表_Linux编程... ... 图形模式（ picture mode） C模式（ C mode） C++模式（ C++ mode） ... |4.简单模式简单模式(C Mode)开始~首先完成的是小轿车, 三种模式各有不同车辆.后车厢放著一些花卉其他角度爱狗小白 (贵宾犬?) 开始盖房子, 墙壁...|5.剪辑点优先顺序式c. 素材剪辑点优先顺序式(C Mode)。d. 效果(Effects)最后处理式(D Mode & E Mode)。|6.清村十分锺之前 TNT 清村 (C mode)唔该你睇清楚日期,别作无谓ge检举,只会令人讨厌,再加一堆反文所谓战争即是如此 所谓地狱即是此处在无...|更多释义收起释义例句释义:全部,模式,中置模式类别:全部,口语,书面语,标题,技术来源:全部,字典,网络难度:全部,简单,中等,难更多例句筛选收起例句筛选1. into the
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Radius © 2016 Microsoftorg-mode 的最佳实践是什么？
org-mode 使用灵活，貌似没什么最佳实践。我想用过 org-mode 的人都有自己独特的使用方法，不妨展示出来我们互通有无。
按投票排序
正要微吐槽一下题目出的比较烂， 发现题目下面的补充说的还不错， 我很赞同。org-mode 应用太广泛， 所以不存在“最佳”实践。 所以比较好的题目大概是“”。既然被邀请， 那我就来写写我的使用经历。我也回答了上面提到的那个问题， 请看：1. GTD大部分可说的都在上面的回答里面讲了。 最近觉得只显示某一个项目的功能(org-narrow-to-subtree)很有用， 也很符合gtd的精神。 如下图：2. 日记 or 随手记要说明的是， 不需要打开这个文件找到对应的日期再慢慢写。
在emacs中任何buffer里面按下C-c c (org-capture-templates 功能)， 可以方便记录包括日记， 奇怪的想法等等， org-mode会自动把信息存放到预先定义好的文件中的正确位置。 下面是我按C-c c之后蹦出来的提示选项：要说明的是， 不需要打开这个文件找到对应的日期再慢慢写。
在emacs中任何buffer里面按下C-c c (org-capture-templates 功能)， 可以方便记录包括日记， 奇怪的想法等等， org-mode会自动把信息存放到预先定义好的文件中的正确位置。 下面是我按C-c c之后蹦出来的提示选项：对于日记文件， 也可以用 org-agenda来单独显示只包含于这个文件的事件时间轴 (请忽略图中内容)：对于日记文件， 也可以用 org-agenda来单独显示只包含于这个文件的事件时间轴 (请忽略图中内容)：3. 其他一个也许不是所有人都知道的冷知识： github 的项目描述，除了可以用markdown， 也可以用org-mode来写。
(是文件名， 知乎莫名其妙自动解释为域名我也是xxx了) 可以取代 README.md 啦。
不过， 有些功能还是不支持， 比如把完成的项目打勾 ， org就没有md显示的框框那么漂亮。org-mode可以直接拿来写blog， 这不是什么新鲜事了。
不过最近发现几个项目， 可以方便地从org 输出到jekyll支持的格式。对于喜欢jekyll，但更喜欢org-mode的同学是个好的解决方案。
当然也有直接从org-mode生成静态网页的。我最近玩5阶以上的魔方都直接用org-mode来计时.... 水平太渣你懂的....4. 欢迎批评和指出我用的不妥或者可改进的地方！
做 GTD，大力推荐
，很简短的视频。记笔记，我个人是直接用 org-add-note 记在了 GTD 的各个 todo 里（解决问题或者学习的副产品），直接用 helm-swoop搜索也非常方便写博客，我写了
来让 hexo 支持 orgmode，又自己改了下 org-octopress 用来支持 hexo，这样就可以直接利用 hexo 目前所有的优势而不是重新开坑。我自己的博客可以看到效果： ，每篇文章下面都可以点 Org Source 看到对应的源文件。
用org-mode来写博客，纯静态，放github上，如果想看起来比较叼，可以不写css，纯HTML。另外，义务宣传一下一个讨论Emacs的微信群，很多大神都在里面。update：上面那篇文章已经删了，不再折腾Emacs了，想加微信群的可以在里找到二维码。
据说 就是用作GTD的最佳实践方案~
我整理了一份專業課的知識框架放在了github上，快要完成了：
我也用了段时间org-mode来管理文档，但感觉还不是很便利，并不能到处编写和访问。于是用drupal 的book 的功能来管理文档，他也具有很好的结构化，方便编写和访问。另外，感觉emacs 还不如sublime好用啊，就好比palm与iphone的差别，不同的时代了~
用 org-mode 来记录看美剧、看电影、读书的进度刚看了一集 食戟之灵 :)刚看了一集 食戟之灵 :)
org-mode 可以方便的编辑文本表格，然后支持公式（没错，和excel一样），公式使用emacs的calc-mode，可以用很强大的表达式，如果还不够用你还可以用elisp写公式。有了公式计算结果，还可以整合gnuplot绘制图表。我厂做性能调优就是让程序执行结果直接贴到org-mode的文件里，然后统计表里直接c-u c-c c-c 就自动更新公式计算结果，很方便。
org-mode可以写beamer，超级开心
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