there is not anyaren,t people. any or msny.为什

no,there aren,t any plants in my classroom 问句是什么_百度作业帮
no,there aren,t any plants in my classroom 问句是什么
be动词提前.Are there any piants in your classroon?一些植物在教室里吗?否定句与疑问句中为any,在肯定句中为someThere are only two reasons people cannot achieve their goals:The goals aren’ or people don’t break them into small enough pieces.So all we need to do is to try our best...Have you ever watched a quitter in a boxing match—a man who just gives up and walks_百度作业帮
There are only two reasons people cannot achieve their goals:The goals aren’ or people don’t break them into small enough pieces.So all we need to do is to try our best...Have you ever watched a quitter in a boxing match—a man who just gives up and walks
Have you ever watched a quitter in a boxing match—a man who just gives up and walks away?The whole crowd boos.They throw drink bottles and bits of hot dog into the ring.They don’t throw things because he lost.They throw things because he quit.In our hearts we all believe that we should do our best.Eric Moussambani swam for Equatorial Guinea(赤道几内亚) at the 2000 Olympics.This was the first time Eric had swum a 100-metre race.He swam with his head out of the water and he barely kicked his legs.In the first lap he was really struggling(挣扎).In the second he was nearly drowning (沉没).But Eric was fighting with everything he had.At the turn,the large audience began to shout and with every stroke(划水) the noise got louder and louder.Twenty metres from the finish,Eric was hardly moving but the crowd was crazy.When he finally hit the wall,the cheering and stamping all but lifted the roof off the stadium.His time of 1 minute 52 seconds was about a minute slower than all the other competitors.Who cared?Eric Moussambani had done his best.When you make an honest effort,people support you.You feel happier when you do your best.Think about what it feels like walking to school on those days when you have done all of your homework and done it as well as you can.Don’t you feel just a bit more interested about school?Why?Because you are always happier when you make a 100 percent effort,whether it’s for an essay or a basketball game.Your teachers will tell you “Work hard!” and your parents will probably tell you “Work hard.” .But you don’t work hard to please your parents and teachers.The big reason you do it is for you.If you get good marks,that’s a prize.If other people notice,wonderful!But the main reason is how you feel about yourself.Even when you do your best,it is not certain that you will succeed.You may do your best,and still be criticized.You may do your best,and still have people laugh at you.But when you do your best,the reward is that feeling that says,“I did everything I could.不要机器的!
还有一个原因,人们无法实现他们的目标:目标不重要的人;或不分解成小碎片.所以我们要做的是尽力…你有没有看到一个懦夫在拳击match-a人放弃走开?整个人群嘘声.他们把饮料瓶和碎热狗到环.他们不把事情因为他失去了.他们把事情因为他退出.在我们心中我们都相信,我们应该做到最好.艾瑞克·姆萨巴尼游赤道几内亚在2000奥运会.这是第一次孙耀威游100米赛.他与他的头露出水面,他几乎踢他的腿.在第一圈就很艰难.在次他差点溺水但孙耀威打了他拥有的一切.然而,大批观众开始大喊和每中风噪声越来越响.二十米的完成,孙耀威无法移动但人群疯狂.当他终于撞到墙上,欢呼和冲压所有但掀开屋顶体育场.他的时间为1分52秒约一分钟低于所有其他竞争者.谁在乎?·莫桑巴尼做了他最好的.当你做一个诚实的努力,支持你.你感觉快乐当你做最好的自己.想想它感觉喜欢步行上学的那些日子当你做了你所有的家庭作业做得像你一样好.你不觉得有点更感兴趣的学校?为什么呢?因为你总是快乐当你进行百分之100次努力,无论是文章还是篮球比赛.你的老师会告诉你“努力工作!“你的父母可能会告诉你“努力工作.”.但你不努力工作,请你的父母和老师.大原因你就是你.如果你得到好的分数,这是一个奖.如果其他人注意到,美好!但主要的原因是你对自己的感觉.甚至当你做最好的自己,这是不能肯定,你会成功的.你可以做你最好的,而且还被批评.你可以做你最好的,仍然有人嘲笑你.但当你做最好的自己,作为回报,感觉,说,“我做了一切我能.”
文章不难,时间可贵,你可以去uc房间找我语音帮助,我cc先生是也。‘Because of the economic crisis, people are trying to consume as fast as possible. I there aren’t any to express the mood. Fashion is irrelevant': Malcolm McLaren + SEX, November 1975
//Sex assistant Jordan, Gallery International, Vol 1, no 4.//
It’s unlikely that cities will shake or nations start to rock under the impact of Malcolm McLaren’s sexual revolution. A few people might die though.
Malcolm McLaren, at 30, is a mixture of entrepreneurial cultist, sexual evangelist, businessman, artist, fetishist and p a psychotic visionary in the ephemeral subculture of the fashion world.
David May, Gallery International Vol 1 no 4.
In November 1975 – by which time his charges the Sex Pistols had just embarked on live performances – Malcolm McLaren was interviewed by journalist David May at 430 King’s Road, then in full bloom as radical retail venture SEX.
May had emerged from the underground press and local paper the Kensington News to build a reputation as a fearless investigative reporter for (and co-editor of) Time Out and then a reporter for (and news editor of) The Sunday T in fact he had been arrested and cautioned for a series of stories in Time Out, and was heading for hot water in a high profile court case over an article on the kidnapping of a French banker by Spanish anarchists.
The McLaren interview was a freelance undertaking for the soft-porn mag Gallery International, published by New English Library.
In response to a request from GI editrix Jo Buckley for “edgy” ideas, May proposed covering SEX after his girlfriend became a customer.
“I’d been in (earlier incarnation) Let It Rock, but one night in 1975 my girlfriend was wearing a beautiful black calf-length thin latex mac, her red hair permed and cut to a bob and red lipstick,” says May.
“S wherever we went that night people were amazed because her dramatic look was in stark contrast to the velvet jackets and the hippie, floaty silks that so many people on the King’s Road were dressed in.”
At this time, McLaren and his partner Vivienne Westwood’s work received next to no media coverage. A rare example of their designs infiltrating the mainstream was Michael Roberts’ matching of SEX’s text-based t-shirt “I groaned with pain…” with a Biba gold plastic workman’s helmet in a Sunday Times story, while photographer David Parkinson made more substantial use of the shop’s clothing in the series of fashion shoots he styled for Paul Raymond’s porn magazine Club International.
May was aware of the mild consternation caused that autumn by the police prosecution over assistant/customer Alan Jones wearing McLaren’s Naked Cowboys t-shirt in public (the article confirms that the staff called it the Saturday Shirt after the signage behind the two semi-naked Longhorns), so the boldness of the SEX project, and in particular McLaren’s provocative discourse, served to impress.
“The entire enterprise seeme these were difficult and controversial ideas McLaren was pushing into the open,” says May, flicking through the article for the first time in 36 years over tea in the Chelsea Arts Club garden.
McLaren revealed that he had been disillusioned with fashion after initially investigating second-hand clothing in 1972 when Let It Rock become Too Fast To Live Too Young To Die. May summed up the style as “American collegiate… the peg-bottomed pants, the fraternity sweater, the athlete’s warm-up jacket”.
McLaren told May: “It was probably the worst mistake I could have made. I just got involved in style, line and cut.” Then the possibilities offered by the archetypal garb of the early 60s British rocker re-energised his outlook. “He drew inspiration for ‘a new and fresh’ cult, one that grew out of a bizarre combination of sex and politics,” wrote May.
Combined with McLaren’s sojourn among the demi-monde in New York’s Lower East Side in winter 1974-75 – and in particular his encounters with S&M aficionados and relationship with the New York Dolls
– the vision for SEX crystallised.
In the article, though McLaren discussed Britain’s subterranean network of fetishists and essayed the theories of radical psychoanalyst Wilhelm Reich, there were already signs of disenchantment with the constituency of the “rubber duckie club”, since they were predominantly middle-aged and middle-class.
“The shop is an apparently heterogenous collection of images that, nevertheless, form in McLaren’s mind a definite artistic statement,” wrote May, who detailed customers (“young working class or middle class girls, the fad-seeking rich and the Saturday shopper”), prices (?5 to ?50), decor and stock, including the so-called French Letter Suit and the best-selling lines, the shoes (“In clear plastic with peep-toes and pillar-box red soles. Red patent stilettos. Green patent stilettos. Gold iridiscent stilettos”) and t-shirts (“Not the sort you would buy in boutique land… little more than two scraps of material sewn together with holes left for the arms and neck”).
During the interview May challenged McLaren (“Oh come on…”) on his insouciance regarding the victims of the Cambridge Rapist, the mid-70s leather-hooded and violent sex attacker Peter Cook who was the subject of a controversial t-shirt sold in the shop. McLaren’s answer revealed the underlying strength of his critique of British social and sexual repression as embodied not just by SEX, but also the Sex Pistols:
“Look, why treat him as an individual?” urged McLaren. “Why not treat him as a symbol of what is happening to everybody…I’m saying that if everyone did wear these clothes then this particular island, and all the violence that has been pushed down, would fucking explode!
“Right now, because of the economic crisis that is prevailing throughout
the Western world, people are trying to consume as fast as possible.
Ideas are very dead. There aren’t any to express this mood. People in
the fashion world cannot come up with a new design. It’s just not
“What I am primarily concerned with is showing young people, eighteen, nineteen years of age, who need to find expression in what they are doing.
“There are always moods, but it takes someone to articulate them. If it happens to be me, then it’s me.”
Once done with the interview, McLaren mentioned he was managing a new band and invited May to catch a concert a couple of weeks later at Ravensbourne College in Chislehurst, Kent.
Among attendees at the Sex Pistols gig there on December 9 was young local Simon Barker, who alerted his friends. Together they helped spread the word as the group’s first fanbase, the Bromley Contingent.
May didn’t make it to Ravensbourne, but witnessed the group when they played Middlesex Polytechnic in Hendon, north-west London, a year later. “I covered them for the Sunday Times,” he says. “They were incredible, everything that McLaren had talked about and more.”
Meantime Gallery International dedicated six pages to May’s feature in February 1976, decorated with shots of assistant superstar Jordan in fetish-wear. For one, she posed at 430’s front door with colleague Michael Collins.
Headlined Sado Sex For The Seventies, May’s article ended thus:
McLaren ponders whether he will be able to to continue with his extraordinary combination of perversion, decadence and commercial high fashion. He is suitably apocalyptic about the possible outcome:-
“They can only condemn me. If they do, or have to run me out of town,
they have to do it…If I take my fantasies to the extreme it is because
extremity is where it’s at. Anything that is extreme has to be far more
important, and I must go to those ends to find out exactly what it
means.”
Assuming, that is, that he lives to tell the tale.
Read about the genesis and history of the Naked Cowboys shirt
and writer Len Richmond’s concurrent visit to SEX for Forum magazine .
is my interview with William English, who photographed Vivienne Westwood in SEX (and in the French Letter Suit) in 1975.
Among David May’s books is (with Stewart Tendler) and
(with Magnus Linklater and Lewis Chester).
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>>>There are hardly any people on the hill in winter, ______ ?..
There are hardly any people on the hill in winter, ______ ?&&&&
A. are they&&&&&&&&&&&&&&&&B. aren’t they&&&&C. aren't there&&&&&&&&&&&&&&D. are there
题型:单选题难度:中档来源:同步题
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据魔方格专家权威分析,试题“There are hardly any people on the hill in winter, ______ ?..”主要考查你对&&反意疑问句&&等考点的理解。关于这些考点的“档案”如下:
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反意疑问句
反义疑问句:表示提问人的看法,没有把握,需要对方证实。 反意疑问句由两部分组成:前一部分是一个陈述句,后一部分是一个简短的疑问句,两部分的人称时态应保持一致。1. 陈述部分肯定式+疑问部分否定式可记为前肯后否。&2. 陈述部分否定式+疑问部分肯定式可记为前否后肯。 例如:This pencil is red, isn’t it? Yes, it is. / No, it isn’t.&&&&&&&&&&&&&&& This pencil isn’t red, is it? Yes, it is. / No, it isn’t. 速记:前肯后否,前否后肯,前be后be,前无be后加助,时态一致。反意疑问句的回答:前肯后否,前否后肯,根据事实从后往前翻译。如:(1)They work hard,don’t they?他们努力工作,不是吗?Yes, they do.对,他们工作努力。/No, they don't.不,他们工作不努力(2)They don’t work hard, do they? 他们不太努力工作,是吗?Yes, they do. 不,他们工作努力。/No, they don't. 是的, 他们工作不努力否定反义疑问句的回答当陈述部分为肯定式,反义疑问句为否定式时,其回答一般不会造成困难,一般只需照情况回答即可:"It’s new, isn’t it?" "Yes, it is." “是新的,不是吗?”“是,是新的。”"He wants to go, doesn’t he?" "No, he doesn’t." “他想去,不是吗?”“不,他不想去。”此时,"Yes"即是,对前面"It's new."的肯定。回答反义疑问句的原则回答反意疑问句通常应根据实际情况来确定,如有人问你You are asleep, aren’t you? 你应回答No, I’m not. 因为既然你能回答,肯定你还没有asleep。但如果别人问你 You aren’t asleep, are you?(你还没有睡着,对吗),你也只能回答No, I’m not.(是的,还没有睡着),而不能回答为Yes, I’m not. 也不能回答成 Yes, I am.“It is a beautiful flower,isn't it?” “It isn't a beautiful flower,is it?”上述两句句子的回答肯定均为“Yes,it is."否定为“No,it isn't."由上述例子可知,反义疑问句回答与句子本身所包含的中文肯定与否的含义并无太大关联,只需注意事实,肯定即用yes,否定用no,无需考虑句子原本是前否后肯或是前肯后否。口诀:反意疑问并不难,陈述疑问句中含。前后肯否恰相反,否定词缀不能算。主谓时态要一致,特殊情况记心田。实际情况来回答,再把yes和no拣。综上所述,反义疑问句回答就是按实际情况回答。对反意疑问句的回答,无论问题的提法如何,如果事实是肯定的,就用yes,事实是否定的,就要用no。要特别注意陈述句部分是否定结构,反意疑问句部分用肯定式提问时,回答yes或no与汉语正好相反。这种省略回答的yes要译成“不”,no要译成“是”。例:—He likes playing football, doesn’t he? 他喜欢踢足球,不是吗?—Yes, he does. / No, he doesn’t. 是的。/ 不是。—His sister didn’t attend the meeting, did she? 他妹妹没有参加会议,是吗?—Yes, she did. / No, she didn’t. 不,她参加了。/ 是的,她没参加。快速记忆表:陈述部分的谓语&& 疑问部分I/主语&& aren't I / are Ino,nothing,nobody,never,few, seldom, hardly,rarely, little等否定含义的词&& 肯定含义含有un-,in-.dis-,im-等否定意义的前缀构成的词语时,视为肯定含义&& 否定含义ought to(肯定的)&& shouldn't/ oughtn't +主语have to+v.(had to+v.)&& don't +主语(didn't +主语)used to+v.&& didn't +主语或 usedn't +主语had better + v.&& hadn't youwould rather + v.&& wouldn't +主语you'd like to + v.&& wouldn't +主语must&& 根据实际情况而定感叹句&& be +主语指示代词或不定代词everything,that,nothing,this&& 主语用it并列复合句&& 谓语根据邻近从句的谓语而定定语从句,宾语从句主从复合句&& 根据主句的谓语而定think,believe,expect,suppose,imagine等引导&& 与宾语从句相对应的从句everybody,anyone,somebody,nobody,no one&& 复数they, 单数he情态动词dare或need&& need/needn't (dare/daren't ) +主语dare, need 为实义动词&& do/don't +主语省去主语的祈使句&& will/won't you?Let's 开头的祈使句&& Shall we?Let us 开头的祈使句&& Will you?there be&& 相应的谓语动词+there(省略主语代词)否定前缀不能视为否定词&& 仍用否定形式.反意疑问句19条:1) 陈述部分的主语是I,疑问部分要用 aren't I.I'm as tall as your sister,aren't I?2) 陈述部分的谓语是wish,疑问部分要用may +主语。I wish to have a word with you, may I?3) 陈述部分用 no, nothing, nobody, never, few, seldom, hardly, rarely, little等否定含义的词时,疑问部分用肯定含义。The Swede made no answer, did he / she?Some plants never blown (开花), do they ?4) 含有ought to 的反意疑问句,陈述部分是肯定的,疑问部分用shouldn't / oughtn't +主语。He ought to know what to do, oughtn't he? / shouldn't he?5) 陈述部分有have to +v. (had to + v.),疑问部分常用don't +主语(didn't +主语)。We have to get there at eight tomorrow, don't we?6) 陈述部分的谓语是used to 时,疑问部分用didn't +主语或 usedn't +主语。He used to take pictures there, didn't he? / usedn't he?7) 陈述部分有had better + v. 疑问句部分用hadn't you?You'd better read it by yourself, hadn't you?8) 陈述部分有would rather +v.,疑问部分多用 wouldn't +主语。He would rather read it ten times than recite it, wouldn't he?9) 陈述部分有You'd like to +v. 疑问部分用wouldn't +主语。You'd like to go with me, wouldn't you?10) 陈述部分有must 的疑问句,疑问部分根据实际情况而定。He must be a doctor, isn't he?You must have studied English for three years, haven't you? / didn't you?He must have finished it yesterday, didn't he?11) 感叹句中,疑问部分用用否定的助动词加sb/sth?如:1)What a fine day it is today!What a fine day it is today,isn“t it?2)How fast he runs!How fast he runs,doesn”t he?3)What a long time we have been waiting!What a long time we have been waiting ,haven“t we?12) 陈述部分由neither… nor, either… or 连接的并列主语时,疑问部分根据其实际逻辑意义而定。Neither you nor I am engineer, are we?13) 陈述部分主语是指示代词或不定代词everything, that, nothing, this, 疑问部分主语用it。Everything is ready, isn't it?14)陈述部分为主语从句或并列复合句,疑问部分有三种情况:a. 并列复合句疑问部分,谓语动词根据邻近从句的谓语而定。Mr. Smith had been to Beijing for several times, he should have been in China now, shouldn't he?b. 带有定语从句,宾语从句的主从复合句,疑问部分谓语根据主句的谓语而定:He is not the man who gave us a talk, is he?He said he wanted to visit Japan, didn't he?c. 上述部分主句谓语是think, believe, expect, suppose, imagine等引导的定语从句,疑问部分与宾语从句相对应构成反意疑问句。I don't think he is bright, is he?We believe she can do it better, can't she?15) 陈述部分主语是不定代词everybody, anyone, somebody, nobody, no one等,疑问部分常用复数they,有时也用单数he。Everyone knows the answer, don't they? (does he?)Nobody knows about it, do they? (does he?)16) 带情态动词dare或need的反意疑问句,疑问部分常用 need (dare ) +主语。We need not do it again, need we ?He dare not say so, dare you?当dare, need 为实义动词时,疑问部分用助动词do + 主语。She doesn't dare to go home alone, does she?17) 省去主语的祈使句的反意疑问句,疑问部分用will you。Don't do that again, will you?Go with me, will you / won't you ?注意: Let's 开头的祈使句,后用shall we?Let us 开头的祈使句,后用will you?Let's go and listen to the music, shall we?Let us wait for you in the reading-room, will you ?18) 陈述部分是"there be"结构的,疑问部分用there省略主语代词。There is something wrong with your watch, isn't there?There will not be any trouble, will there?19) 否定前缀不能视为否定词,其反意疑问句仍用否定形式。It is impossible, isn't it?He is not unkind to his classmates, is he?有些动词如:cost hurt hit put 等,它们的过去时与原型相同,在肯定句中一定要先弄清楚它们是什么时态.英语18种特殊的反意疑问句: 1.祈使句。祈使句后一般加上will you或won't you构成反意疑问句,用will you 多表 示“请求”,用won't you 多表示提醒对方注意。例如:   &Look at the blackboard, will you/ won't you?看黑板,好吗?    Let 引导的祈使句有两种情况:    1) Let's...后的反意疑问句用shall we或shan't we。例如:    Let's go home, shall we/ shan't we? 回家吧,好吗?   &还可以用may I来表示征求对方的同意或许可。    2) Let us/me...后的反意疑问句用will you或won't you。例如:   &Let me have a try, will you/won't you? 让我试一试,行吗?    2. 感叹句。感叹句后加反意疑问句时,其反意疑问句需用be的一般现在时态的否定形式。 例如:    What fine weather, isn't it? 多好的天气啊,是吧?   &3. 当陈述部分谓语动词是need, dare, used to,且这些词被用作实义动词时,其反意疑问 句需用do的适当形式。例如:    He needs help, doesn't he? 他需要帮助,是吗?   &4. 陈述部分主、谓语是I am...时,反意疑问句用aren't I 或am't I ,而不是am not I (可 用a m I not)。例如:    I'm working now, am't I? 我在工作,是吗?    5. 陈述部分的主语是everything, nothing, anything或something 时,反意疑问句的主语应用代词it。例如:   &Something is wrong with my radio, isn't it? 我的收音机出毛病了,是吧?    6. 陈述部分的主语是 everybody, everyone, anybody, anyone, somebody, someone, nobody, no one, none, neither 时, 其反意疑问句的主语需用复数代词they。 例如:    Everyone is here, aren't they? 大家都到了,是吗?    No one knows about it, do they? 没有人知道这件事,对吗?    7. 陈述部分的主语是指示代词this或that时,反意疑问句的主语用it,当陈述部分的主语是指示代词these或those时,其反意疑问句的主语用they。 例如:    This is a plane, isn't it? 这是一架飞机,是吗?    These are grapes,aren't they? 这些是葡萄,是吗?    8. 陈述部分的主语是不定代词one时,反意疑问句的主语可以用one,也可用you(美式英语用he)。例如:    One should be ready to help others, shouldn't one? 每个人都应该乐于助人,是吧?    9. 当陈述部分含有以下这些含有否定意义的词时:few, little, seldom,hardly, never, not,& no, no one, nobody, nothing, none, neither等,其反意疑问句需用肯定结构。 例如:   &He is never late for school, is he? 他上学从不迟到,是吗?    10. 当陈述部分所含的否定词是通过加前缀或后缀构成的,其后的反意疑问句依然用否定结构。例如:    && It is unfair, isn't it? 这不公平,是吧?    11.含有否定含义的词在陈述部分作动词的宾语时,其反意疑问句用肯定结构,也可以用否定结构。例如:    You got nothing from him, did you? 你从他那儿什么也没得到,是吗?    12. 当陈述部分主语是从句、不定式(短语)、动词-ing形式时,反意疑问句的主语应该用it。& 例如:    What you need is more important, isn't it?你需要的东西更重要,是吧?    13. 当陈述部分含I think (believe, suppose...)that... 结构时,其反意疑问句须与从句的主、谓语保持一致,注意主句的主语必须是第一人称。例如:    I don't think he will come, will he? 我认为他不会来,对吗?    14.have(has)不是表示“有”的意思,并在句中做谓语时,其反意疑问句的助动词要用do, does, did。例如:    They had a meeting just now,didn't they? 他们刚才开了个会,是吗?    15. 陈述部分有have to 时,其反意疑问句要用助动词的否定形式。例如:    You have to water the vegetables every day, don't you?你每天都要浇菜,对吧?    16. 陈述部分是there be句型时,其反意疑问句中要用there。例如:    There was a hospital here, wasn't there? 过去这儿有家医院,是吗?    17. 陈述部分有had better时,反意疑问句中要用hadn't。&例如:    We had better go to school at once, hadn't we? 我们现在最好马上去上学,好吗? 18. 当陈述部分含有情态动词must时,我们便要分析一下must的含义。如果must 作“一定;要;必须”讲,反意疑问句须用mustn't或needn't;而当must作推测意义“一定 是;必定”讲时,反意疑问句则需根据must后的动词原形选用相应的形式。例如:   &He must work hard at physics, mustn't he? 他必须努力学物理,是吧?    Tom must be at home,isn't he? 汤姆一定在家,是吧?
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