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Audio sample
30-second sample of Bill Haley & His Comets' "Rock Around the Clock"
"Rock Around the Clock" is a
song in the
written by
(the latter under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by
in 1954 for American . It was a number one single on both the US and UK charts and also re-entered the
in the 1960s and 1970s.
It was not the , nor was it the first successful record of the genre (Bill Haley had American chart success with "" in 1953, and in 1954, "" sung by
reached No. 1 on the Billboard R&B chart). Haley's recording nevertheless became an anthem for rebellious 1950s youth and is widely considered to be the song that, more than any other, brought
into mainstream culture around the world. The song is ranked No. 158 on the
magazine's list of .
Although first recorded by Italian-American band
on March 20, 1954, the more famous version by
is not, strictly speaking, a cover version. Myers claimed the song had been written specifically for Haley but, for various reasons, Haley was unable to record it himself until .
The original full title of the song was "We're Gonna Rock Around the Clock Tonight!". This was later shortened to "(We're Gonna) Rock Around the Clock", though this form is generally only used on releases of the 1954 Bill Haley Decca R most other recordings of this song by Haley and others (including Sonny Dae) shorten this title further to "Rock Around the Clock".
"Rock Around the Clock" ()
There are sources that indicate that "Rock Around the Clock" was written in 1953, but documents uncovered by historian
indicate it was in fact written in late 1952. The original arrangement of the song bore little resemblance to the version recorded by Haley, and was in fact closer to a popular instrumental of the day called "" (written by ).
The song was credited to Myers (as "Jimmy DeKnight") and , although its exact authorship is disputed, with many speculating that Freedman wrote the song on his own. There were several earlier songs of the title "Rock Around the Clock" (by
and ), but they are unrelated to the Freedman/Myers song. In addition, it is sometimes erroneously stated that "Rock Around the Clock" is copied from a late-1940s
recording, "Around the Clock Blues". Aside from title similarity, however, the two songs bear little resemblance. There are many
songs with the theme of partying or making love "round the clock", with various actions specified at various hours.
However, the verse melody of "Rock Around the Clock" does bear a very close similarity to that of ' first hit, "", from 1947. Williams' song was very similar to 's "Going to Move to Alabama", recorded in 1929 – which itself was at least partly derived from 's "Kansas City Blues" from 1927. The song also uses
from 's "Red Wagon", first recorded in 1939.
According to the Haley biographies Bill Haley by
and Rock Around the Clock by Dawson, the song was offered to Haley in the wake of his first national success "" in 1953, after being copyrighted with the U.S. Library of Congress on March 31. Haley and his Comets began performing the song on stage (Comets bass player
and drummer
say the first performances were in
at Phil and Eddie's Surf Club), but , his producer, refused to allow Haley to record it for his
label (Swenson suggests a feud existed between Myers and Miller).
Haley himself claimed to have taken the sheet music into the recording studio at least twice, with Miller ripping up the music each time. Nonetheless, rumors of a 1953 demo recording by Haley persist to this day, although surviving members of the Comets deny this, as did Haley himself (quoted in the Swenson biography) ; a late-1960s
single of the Decca Records version of "Rock Around the Clock", with "Crazy Man, Crazy" on the B-side and carrying the Essex label, occasionally turns up for sale with the claim that it is the demo version.
Myers next offered the song to Sonny Dae & His Knights, a novelty all-white musical group led by Italian-American . The group's subsequent recording, on the
label (owned by Haley's manager, ), was a regional success, although it sounded very different from what Haley would later record.
Sheet music cover for the recording by Bill Haley and His Comets on Decca Records, Myers Music, Philadelphia, 1955.
After leaving Essex Records in the spring of 1954, Bill Haley signed with , and the band's first recording session was set for April 12, 1954 at the
studios in New York City. The recording session almost failed to take place because the band was traveling on a ferry that got stuck on a
en route to New York from . Once at the studio, producer
(Uncle of actor , who had produced
as well as ), insisted the band work on a song entitled "Thirteen Women (and Only One Man in Town)" (previously written and recorded by ), which Gabler wanted to promote as the
of the group's first single for Decca.
Near the end of the session, the band finally recorded a take of "Rock Around the Clock," but Haley's vocals were drowned out by the band. A second take was quickly made with minimal accompaniment while
waited outside the studio for his turn behind the . Decca engineers later combined the two versions together into one version. (Comets piano player
tells a slightly different version, claiming that the only reason a second take was recorded was that the drummer made an error.)
Many musicians have claimed that they performed on the recording session for "Rock Around the Clock." Song co-writer Myers once claimed he had played drums on the piece, although he also claimed to have been advising the sound mixer in the recording booth. According to the official record sheet from the session, however, the musicians on the famous recording are :
– vocals and rhythm guitar
(aka Joey D'Ambrosio) – tenor saxophone
– electric guitar
Dick Richards, Haley's drummer at the time, confirmed in a 2016 interview with Dutch journalist Gerbren Deves, that it was not him, but Gussak playing drums on the recording. Despite not being members of Bill Haley and His Comets, Gussak and Cedrone were trusted session players that Haley had used before. Cedrone's guitar solo was one that he used before on Bill Haley And The Saddlemen's version of "" in 1952, and is considered one of the classic rock and roll guitar solos of all time. (Cedrone died in a fall down a stairway on June 17, 1954 and never lived to see his contribution become famous and legendary.) The second instrumental break recreates a popular
"out chorus" with tenor sax and guitar emulating the rhythm section.
The version of "Rock Around the Clock" that was used in the movie
differs from the hit single version. The difference is in the two solo breaks. The record has the guitar solo taking the first break and the sax solo taking the second break. The movie version is just the opposite with the sax solo coming first.
In a 2005 retrospective on his uncle Milt Gabler's work (The Milt Gabler Story),
identifies Haley's 1954 recording of "Rock Around the Clock" as the single most important song Gabler ever produced. Gabler had previously been responsible for the highly successful string of
recordings by Louis Jordan in the late 1940s, which were characterised by their strong beat, clearly enunciated lyrics and high production values, all features which Gabler sought to repeat in Haley's recordings. Also significantly, "Rock Around The Clock" was recorded in the very same month that
issued 's "". In relation to "Rock Around The Clock", Gabler said: "I was aware that rock was starting. I knew what was happening in the Philadelphia area, and "Crazy Man, Crazy" had been a hit about a year before that. It already was starting and I wanted to take it from there."
As Gabler intended, "Rock Around the Clock" was first issued in May 1954 as a
to "Thirteen Women (and Only One Man in Town)." While the song did make the American
music charts (contrary to popular opinion that it was a flop), it was considered a commercial disappointment. It was not until 1955, when "Rock Around the Clock" was used under the opening credits of the film , that the song truly took off.
Many versions of the story behind how "Rock Around the Clock" was chosen for Blackboard Jungle circulated over the years. Recent research, however, reveals that the song was chosen from the collection of young , the son of Blackboard Jungle star
and dancer . The producers were looking for a song to represent the type of music the youth of 1955 was listening to, and the elder Ford borrowed several records from his son's collection, one of which was Haley's "Rock Around the Clock" and this was the song chosen. In 2004 the song finished at #50 in
survey of top tunes in American cinema.
On July 9, 1955 "Rock Around the Clock" became the first rock and roll recording to hit the top of 's Pop charts, a feat it repeated on charts around the world. The song stayed at this place for eight weeks. The record was also no.1 for seven weeks on the
pop singles chart in 1955. The Bill Haley version also hit number three on the R&B charts. Billboard ranked it as the .
In the UK, Haley's "Rock Around the Clock" was released on Brunswick Records, reaching number 17 on the
in January 1955, four months before it first entered the US pop charts. (Coincidentally, it reached the same position as was reached by ' first single, "", in 1962). The song re-entered the UK chart to reach number one in November 1955 for three weeks, and after a three-week break returned there for a further two weeks in January 1956. It re-entered the charts again in September 1956, reaching number 5. The song was re-issued in 1968, when it made number 20, and again in 1974, when it reached number 12. The song's original release saw it become the UK's first million selling single and it went on to sell over 1.4 million copies in total.
The band performed the song on the May 31, 1955 episode of the Texaco Star Theater hosted by Milton Berle in an a cappella and lip-synched versions. On Sunday, August 7, 1955, the band performed the song on the Ed Sullivan Show or Toast of the Town hosted by Ed Sullivan.
On the heels of the song breaking into the Top 20 in the UK in 1968, Decca began plugging the single in the US, where it briefly re-entered the Billboard charts in June 1968, peaking at #118.
"Rock Around the Clock" became wildly popular with teenagers around the world. The single, released by independent label
in Australia, was the biggest-selling recording in the country at the time.
cashed in on the new craze by hiring Haley and his band to star in two quickie movies,
(1956) and
(1957). In 1957, Haley toured Europe, bringing rock 'n' roll to that continent for the first time.
'It's very hard to tell what made me first decide to play the guitar. Rock Around the Clock by Bill Haley came out when I was ten, and that probably had something to do with it.'
— , from ,
In 1964, Bill Haley and His Comets recorded a sequel song entitled "Dance Around the Clock". Haley actually recorded this song on five occasions (a Spanish-language version for
and an English version for the US label
(both in 1964), two live versions for
recorded in New York in 1969 (neither of which were released for 25 years), and once more in
label in 1970). Despite these efforts, the song was not a commercial success.
Haley would re-record "Rock Around the Clock" many times over the years (even scoring a substantial hit with a version recorded for
in 1968), but never recaptured the magic. In 1974, the original version of the song returned to the American charts when it was used as the theme for the movie
and a re-recorded version by Haley was used as the opening theme for the TV series
during its first two seasons. In the UK, the song again reached the top 20 and as of 2013 remains the only non-Christmas single to have done so on five separate occasions. The original version was also featured in the 1978 film , heard playing on a car radio just prior to 's fin Ford, as noted earlier, had starred in Blackboard Jungle.
During the 1970s Haley shortened his performances of "Rock Around the Clock", dropping one verse and the second instrumental break from most performances. However, his last known recorded performance of the song, at a November 1979
for , was a complete version.
Following Haley's death in February 1981, a number of major tributes involving "Rock Around the Clock" occurred. That fall, a TV special marking the 30th anniversary of
saw an all-star "supergroup" perform the song (accompanied by 1950s-era footage of Haley and the Comets). In 1982, Haley's original recording was given the . An excerpt from the recording was included in "Haley's Golden Medley", a hastily compiled single in the "" mold which made the UK record charts in 1982, reaching number 50. In 1989, Haley's original Decca recording was incorporated into the "dance mix" single "", credited to , but legal considerations forced the album version to substitute a patchwork of re-recordings from the 1950s and 1960s (in Haley's case, a 1968 version of "Rock Around the Clock" recorded for Sonet Records). Since "Swing the Mood" was still on the sales charts going into 1990, it meant that Haley's "Rock Around the Clock", in one way or another, appeared on UK or US sales charts in five consecutive decades.
"Rock Around the Clock" is often cited as the biggest-selling vinyl rock and roll single of all time. The exact number of copies sold ha however, a figure of at least 25 million was cited by the
in its category "Phonograph records: Biggest Sellers" from the early 1970s until the 1990s, when the advent of compact discs led to Guinness discontinuing the category. Guinness consistently listed "Rock Around the Clock" as having the highest claim of any pop music recording, coming second in sales only to 's 1942 recording of "", which was also listed as having sold 25 million copies with a further estimated 100 million copies sold in other versions. Sales figures as high as 35 to 40 million have been cited in various reference books and by media, as have lower numbers in the 15–22 million range, whilst a "more than 30 million copies" figure was quoted by Star, as early as 1983, on back cover page of Swenson's book. A frequently used piece of promotion regarding the song is that it is said to be playing somewhere in the world every minute of the day.
Although originally released to vinyl at a running time of 2 minutes and 8 seconds, most digital/CD releases of the original 1954 recording, starting with the "From The Original Master Tapes" compilation of Bill's work with Decca Records, mastered by
and released in 1985, clock in at 2:10. This is due to the inclusion of a "count-in" by one of the Comets (saying, "One...two") at the very start of the song. This was never included in the original single or album releases of the song. (All of Haley's subsequent studio rerecordings of the song run longer than 2:10 with the exception of the abbreviated version recorded for ). Versions of Haley's song that run longer than 2:10 will lack the electric guitar sound of Danny Cedrone and the double bass lines of Marshall Lytle. Any version recorded after the 1950s will also feature an electric bass player, such versions being included in most general rock compilations.
In tribute to the influence of the song and the movie that launched its popularity, the March 29, 2005 50th anniversary of the opening of Blackboard Jungle was marked by several large celebrations in the United States organized by promoter
under the blanket title "Rock Is Fifty". Rock Is Fifty also hosted additional celebrations in Los Angeles in July, 2005, as part of a "Rock Around the Clock-a-Thon" to celebrate the 50th anniversary of the date the song reached the No. 1 spot on the American charts, as well as to observe what would have been Haley's 80th birthday. These events included numerous appearances and performances by surviving members of the original Comets, including the band's induction into the
hall of fame, a performance at the
club on the , and a special performance for employees of 's
to celebrate the success of the
space probe. A special video of "Rock Around the Clock" was created to mark the occasion and was featured on NASA's website during July and August 2005. The anniversary was also marked by the publication of a book entirely devoted to the history of the song, Rock Around the Clock: The Record That Started the Rock Revolution, by .
also recognized the 40th anniversary of the composing of "Rock Around the Clock" with a special statement by Rep.
of Pennsylvania, which was read into the
on March 31, 1993.
1955 UK release as a Brunswick Records 45 single, 45-05317.
As Bill Haley's best-known recording, there have been dozens of compilation album releases over the years entitled Rock Around the Clock. The most notable of these compilations was the 1955 Decca Records album
(Decca DL 8225) which contained most of the tracks Haley recorded as singles for the label in 1954 and 1955.
Another notable album release entitled Rock Around the Clock was the 1970
UK release Rock Around the Clock (SHM 668) which was the first British release of a 1968 album entitled Bill Haley's Biggest Hits which had been released in
by . The album consisted of newly recorded renderings of Haley classics from the 1950s, along with some previously unrecorded songs.
Chart (1955)
UK Singles Chart
Chart (1956)
Netherlands Singles Chart
Gordon, Terry E., , Rockin' Country Style: A Discography of Country Rock & Roll and Related Records,
Black, Johnny, Classic Tracks Back To Back Singles. Thunder Bay Press. 2008
Simons, David (2004). . San Francisco: Backbeat Books. Cf. pp.168–169.
(June 18, 2009). . New York Times 2009.
Billboard, 13 November 1954, p. 64
Hoffmann, Frank, , 2nd ed., New York, NY : Routledge, 2005. . Cf. volume 1 (of two), pp.421–422, article on "Milt Gabler".
Peter Gammond, The Oxford Companion to Popular Music, 1991, p.495
Dawson, Jim. Rock Around the Clock : The Record that Started the Rock Revolution (Backbeat Books, 2005, p. 62),
Swenson, John. Bill Haley. (Star Books, 1983).
Dawson, Jim, and Steve Propes, What Was The First Rock 'n' Roll Record ? (Faber and Faber, 1992), .
(audio). . .
Dawson, Jim. Rock Around the Clock : The Record that Started the Rock Revolution (Backbeat Books, 2005).
Dawson (2005).
(2004). Top R&B/Hip-Hop Singles: . Record Research. p. 242.
Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 21.  .
The Million Sellers: The UK's Greatest Hits (First ed.). London: Omnibus Press. 2012. p. 9.  .
"They go on the Milton Berle Show, May 31" Music as Written. Billboard Jun 4, 1955 page 22
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Ford, Peter. "Rock Around the Clock and Me" ( and Now Dig This magazines, 2004; )
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Pearl Jam – Ten Club News
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